{"id":1913,"date":"2015-01-22T04:27:32","date_gmt":"2015-01-22T04:27:32","guid":{"rendered":"http:\/\/www.melissadeerson.com\/?page_id=1913"},"modified":"2015-01-22T04:42:36","modified_gmt":"2015-01-22T04:42:36","slug":"objects-in-motion","status":"publish","type":"page","link":"http:\/\/www.melissadeerson.com\/?page_id=1913","title":{"rendered":"objects in motion"},"content":{"rendered":"\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-1913 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='http:\/\/www.melissadeerson.com\/?attachment_id=1437'><img width=\"150\" height=\"150\" src=\"http:\/\/www.melissadeerson.com\/wp-content\/uploads\/2014\/01\/objects-in-motion-small-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" loading=\"lazy\" aria-describedby=\"gallery-1-1437\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1437'>\n\t\t\t\tobjects in motion\n\t\t\t\t<\/dd><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n<p>a contribution to the publication &#8216;Cash Crop Camp Circle&#8217;, from Briony Galligan&#8217;s exhibition of the same name.<\/p>\n<p>&#8220;Cash Crop Camp Circle subtly highlights the idiosyncrasies, global trade routes and mysteries we often don\u2019t think about when we look at materials and when we look at art.&#8221;<\/p>\n<p><a href=\"http:\/\/seventhgallery.org\/project\/cash-crop-camp-circle\/\">http:\/\/seventhgallery.org\/project\/cash-crop-camp-circle\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>a contribution to the publication &#8216;Cash Crop Camp Circle&#8217;, from Briony Galligan&#8217;s exhibition of the same name. &#8220;Cash Crop Camp Circle subtly highlights the idiosyncrasies, global trade routes and mysteries we often don\u2019t think about when we look at materials and when we look at art.&#8221; http:\/\/seventhgallery.org\/project\/cash-crop-camp-circle\/<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":54,"comment_status":"closed","ping_status":"open","template":"page-portfolio.php","meta":[],"_links":{"self":[{"href":"http:\/\/www.melissadeerson.com\/index.php?rest_route=\/wp\/v2\/pages\/1913"}],"collection":[{"href":"http:\/\/www.melissadeerson.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.melissadeerson.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.melissadeerson.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.melissadeerson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1913"}],"version-history":[{"count":3,"href":"http:\/\/www.melissadeerson.com\/index.php?rest_route=\/wp\/v2\/pages\/1913\/revisions"}],"predecessor-version":[{"id":1915,"href":"http:\/\/www.melissadeerson.com\/index.php?rest_route=\/wp\/v2\/pages\/1913\/revisions\/1915"}],"wp:attachment":[{"href":"http:\/\/www.melissadeerson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1913"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}